TY - JOUR
T1 - Aconcagua Fablab
T2 - Learning to Become with the World through Design and Digital Fabrication Technologies
AU - Jeldes, Juan Carlos
AU - Cortés-Morales, Susana
AU - Rodo Lunissi, Renée
AU - Moreira-Muñoz, Andrés
N1 - Funding Information:
BioGeoArt is the dissemination name of the associative research project ‘Geohumanities and creative (bio) geographies approaching sustainability and co‐conservation through rhizomatic immersion’ funded by PIA‐ ANID‐ Chile (PIA SOC 180040).
Publisher Copyright:
© 2022 NSEAD and John Wiley & Sons Ltd.
PY - 2022
Y1 - 2022
N2 - We reflect about the role of creative and innovative design/fabrication technologies in processes of learning to become with the world and understanding our place as humanity within nature. In particular, we present part of the work of Aconcagua Fablab, a mobile design and digital fabrication laboratory. We situate it in relation to the Fablab movement, highlighting its focus in generating processes of ecological understanding, immersion and literacy, working in association with BioGeoArt, an action-research project inquiring about humanity-nature relationships in Chile. Unfolding this discussion, we present two workshops developed by Aconcagua Fablab with children and young people, focused in designing / fabricating artefacts and occasions for the exploration of more-than-human languages in territorial expressions and immersion in sensitive landscapes – one of them focused on biomimesis and filotaxis; the other one on soundscapes. In doing so, we discuss digital fabrication technologies from a convivial conceptualization, in relation to a more-than-human geographical understanding of nature, and concepts such as relational agency, intra-action, more-than-human languages and representation, and situated knowledge, arguing for the role that these technologies and arts in general can play, when used within creative and collaborative learning processes, in awakening ‘the curiosity about life on earth that we will need to limit the destruction we call Anthropocene and protect the Holocene entanglements that we need to survive’.
AB - We reflect about the role of creative and innovative design/fabrication technologies in processes of learning to become with the world and understanding our place as humanity within nature. In particular, we present part of the work of Aconcagua Fablab, a mobile design and digital fabrication laboratory. We situate it in relation to the Fablab movement, highlighting its focus in generating processes of ecological understanding, immersion and literacy, working in association with BioGeoArt, an action-research project inquiring about humanity-nature relationships in Chile. Unfolding this discussion, we present two workshops developed by Aconcagua Fablab with children and young people, focused in designing / fabricating artefacts and occasions for the exploration of more-than-human languages in territorial expressions and immersion in sensitive landscapes – one of them focused on biomimesis and filotaxis; the other one on soundscapes. In doing so, we discuss digital fabrication technologies from a convivial conceptualization, in relation to a more-than-human geographical understanding of nature, and concepts such as relational agency, intra-action, more-than-human languages and representation, and situated knowledge, arguing for the role that these technologies and arts in general can play, when used within creative and collaborative learning processes, in awakening ‘the curiosity about life on earth that we will need to limit the destruction we call Anthropocene and protect the Holocene entanglements that we need to survive’.
UR - http://www.scopus.com/inward/record.url?scp=85123597689&partnerID=8YFLogxK
U2 - 10.1111/jade.12394
DO - 10.1111/jade.12394
M3 - Article
AN - SCOPUS:85123597689
JO - International Journal of Art and Design Education
JF - International Journal of Art and Design Education
SN - 1476-8062
ER -