Abstract
The article questions the essential link between the art of Victoria Poleva and Andrei Tarkovsky. Both artists are given unique in their mutual difference. Both sound and image Poleva Tarkovsky happens in a certain body and space immanence and materiality that opens us to the other. It is an architecture of space (the profane becomes sacred) and a sculpture of time (eternity at the moment). We believe in sound materiality of Poleva we can find this beautiful work of sculpting time peculiar to the Russian filmmaker. Poleva is the architect and sculpture of sound and its sound opens reality. And sometimes it enables us to give a space the same time for each of us. Hence this article inquires into the matter and spacetime as fundamental elements to it own this minimalist contemporary sacred art. And for this they will serve certain fundamental categories of contemporary philosophers; for example, Nietzsche, Heidegger, Deleuze etc. With these concepts can express the art of our artists.
| Translated title of the contribution | The musical sound of Victoria Poleva in articulation with the film image of Andrei Tarkovsky |
|---|---|
| Original language | Spanish |
| Pages (from-to) | 42-56 |
| Number of pages | 15 |
| Journal | Musica Hodie |
| Volume | 17 |
| Issue number | 1 |
| DOIs | |
| State | Published - 2018 |
| Externally published | Yes |