Pintura instintiva. Sobre la invención de un concepto y su definición histórica

Translated title of the contribution: Instinctive painting, about the invention of a concept and its historic definition

Research output: Contribution to journalReview articlepeer-review

Abstract

From the first Chilean paintings acquired by the New York Museum of Modern Art in 1942, curatorial criteria are analyzed in the Latin American Art Collection and in the local contexts that determined such acquisitions through the rescue of popular art, and the concept of instinctive painting elaborated by Tomás Lago in relation to the work by the Chilean painter Luis Herrera Guevara.

Translated title of the contributionInstinctive painting, about the invention of a concept and its historic definition
Original languageSpanish
Pages (from-to)6-11
Number of pages6
JournalRevista 180
Volume37
StatePublished - 1 Jan 2016

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