Abstract
In the last fifteen years, both Anglo and Spanish-speaking context, interest in the thought of Raymond Williams (1921-1988) has re-emerged, being materialized in the reissue of his main theoretical texts -in the Spanish-speaking context some of them have been published for the first time- and even some of his novels. The purpose of this article is to pursue and to expose the historical development of one of the capital concepts in Williams's work: "Structures of feeling". Concept that since its initial formulation was understood as an exploration of the areas excluded by the rationalist paradigm - fundamentally the former and the formative processes and the instances of emotional and experiential perceptions-, which has dominates, in both aesthetics and cultural theory, a series of concepts that operate as formed totalities or "fixed forms", according to Williams.
Translated title of the contribution | The fixed forms and its margins: about "Structures of feeling" of Raymond Williams. A trajectory |
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Original language | Spanish |
Pages (from-to) | 173-191 |
Number of pages | 19 |
Journal | Universum |
Volume | 29 |
Issue number | 1 |
DOIs | |
State | Published - 2014 |
Externally published | Yes |