Abstract
From the first Chilean paintings acquired by the New York Museum of Modern Art in 1942, curatorial criteria are analyzed in the Latin American Art Collection and in the local contexts that determined such acquisitions through the rescue of popular art, and the concept of instinctive painting elaborated by Tomás Lago in relation to the work by the Chilean painter Luis Herrera Guevara.
| Translated title of the contribution | Instinctive painting, about the invention of a concept and its historic definition |
|---|---|
| Original language | Spanish |
| Pages (from-to) | 6-11 |
| Number of pages | 6 |
| Journal | Revista 180 |
| Volume | 37 |
| State | Published - 2016 |