Sensación y Política en Gilles Deleuze

Translated title of the contribution: Sensation and politics in Gilles Deleuze

Ricardo Espinoza Lolas, Patricio Lombardo Bertolini, Camilo Valdes Castillo

Research output: Contribution to journalArticlepeer-review

Abstract

This article questions the fine and precise relationship between art and politics into the thought of the French philosopher Gilles Deleuze (1925-1995). It tries to show how Deleuze, partly following the unfinished work and youthful Nietzsche, wants to make a political philosophy give yourself a logic of sensation. And not like the Hegelian or Marxian or Marxist, etc. who have always thought politics from a negative logic of the historical dialectic. The plan Deleuze, mainly in its last stage, in his work on art in general and, in particular, with painting versa from a logic of sensation. And it is from this logic that expresses the place where politics is given.

Translated title of the contributionSensation and politics in Gilles Deleuze
Original languageSpanish
Pages (from-to)35-50
Number of pages16
JournalRevista de Filosofia: Aurora
Volume29
Issue number46
DOIs
StatePublished - 2017
Externally publishedYes

Fingerprint

Dive into the research topics of 'Sensation and politics in Gilles Deleuze'. Together they form a unique fingerprint.

Cite this