Fenomenología de la afectividad: Forma, color e imagen en la pintura abstracta de kandinsky

Resultado de la investigación: Contribución a una revistaArtículorevisión exhaustiva

Resumen

The present article analyzes the problem of affectivity in French philosopher Michel Henry's conception of Phenomenology of life, conceived of as the foundation of the subjectivity and the essence of the manifestation. Henry analyzes the work of the painter Vasily Kandinsky, showing how abstract and non-figurative painting expresses in colors and forms something invisible, which is the essence of the painting and coincides with the Life. Kandinsky's conception of abstraction refers to the invisible and the inner content, which expresses itself through colors and forms, being the life itself in its fundamental subjective pathos. In this way, the art becomes the only language capable to express the radicality of the affective life, because it does not represent anything exterior or foreign, being its content the life itself.

Título traducido de la contribuciónPhenomenology of affectivity: Form, color and image in kandinsky’s abstract painting
Idioma originalEspañol
Páginas (desde-hasta)9-23
Número de páginas15
PublicaciónAlpha
Volumen2020
N.º51
DOI
EstadoPublicada - 2020
Publicado de forma externa

Palabras clave

  • Abstract painting
  • Affectivity
  • Henry Kandinsky
  • Phenomenology

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